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Heritage And Ruptures In Indian Literature Culture And Cinema 1st Edition Cornelius Crowley Geetha Ganapathydor Michel Naumann

  • SKU: BELL-51605314
Heritage And Ruptures In Indian Literature Culture And Cinema 1st Edition Cornelius Crowley Geetha Ganapathydor Michel Naumann
$ 31.00 $ 45.00 (-31%)

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Heritage And Ruptures In Indian Literature Culture And Cinema 1st Edition Cornelius Crowley Geetha Ganapathydor Michel Naumann instant download after payment.

Publisher: Cambridge Scholars Publishing
File Extension: PDF
File size: 2.22 MB
Pages: 269
Author: Cornelius Crowley; Geetha Ganapathy-Doré; Michel Naumann
ISBN: 9781443878548, 1443878545
Language: English
Year: 2017
Edition: 1

Product desciption

Heritage And Ruptures In Indian Literature Culture And Cinema 1st Edition Cornelius Crowley Geetha Ganapathydor Michel Naumann by Cornelius Crowley; Geetha Ganapathy-doré; Michel Naumann 9781443878548, 1443878545 instant download after payment.

This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent's current "synchronic" reality and to certain aspects of the culture's underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent's long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation.The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.

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