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Historical Dictionary Of French Cinema Dayna Oscherwitz Mary Ellen Higgins

  • SKU: BELL-1996572
Historical Dictionary Of French Cinema Dayna Oscherwitz Mary Ellen Higgins
$ 31.00 $ 45.00 (-31%)

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Historical Dictionary Of French Cinema Dayna Oscherwitz Mary Ellen Higgins instant download after payment.

Publisher: The Scarecrow Press, Inc.
File Extension: PDF
File size: 12.87 MB
Pages: 494
Author: Dayna Oscherwitz, Mary Ellen Higgins
ISBN: 9780810854918, 0810854910
Language: English
Year: 2007

Product desciption

Historical Dictionary Of French Cinema Dayna Oscherwitz Mary Ellen Higgins by Dayna Oscherwitz, Mary Ellen Higgins 9780810854918, 0810854910 instant download after payment.

It can be argued that cinema was created in France by Louis Lumiere in 1895 with the invention of the cinematography, the first true motion-picture camera and projector. 

While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinematographe was the first device capable of recording and externally projecting images in such a way as to convey motion. 

Early films such as Lumiere's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges Melies, Alice Guy, and Charles Pathé. 

Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Francois Truffaut, and Louis Malle and actors-  Charles Boyer, Catherine Deneuve, Gerard Depardieu, and Audrey Tautou.

The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. 

This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. 

Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

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