logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

How Film Histories Were Made Materials Methods Discourses Hagener

  • SKU: BELL-54309752
How Film Histories Were Made Materials Methods Discourses Hagener
$ 31.00 $ 45.00 (-31%)

4.8

84 reviews

How Film Histories Were Made Materials Methods Discourses Hagener instant download after payment.

Publisher: Amsterdam University Press
File Extension: PDF
File size: 4.8 MB
Pages: 530
Author: Hagener, Malte (edt); Zimmermann, Yvonne (edt)
ISBN: 9789463724067, 9463724060
Language: English
Year: 2023

Product desciption

How Film Histories Were Made Materials Methods Discourses Hagener by Hagener, Malte (edt); Zimmermann, Yvonne (edt) 9789463724067, 9463724060 instant download after payment.

This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians.

Related Products