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Imagining Ancient Cities In Film From Babylon To Cinecitta 1st Edition Garca Morcillo

  • SKU: BELL-5271684
Imagining Ancient Cities In Film From Babylon To Cinecitta 1st Edition Garca Morcillo
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Imagining Ancient Cities In Film From Babylon To Cinecitta 1st Edition Garca Morcillo instant download after payment.

Publisher: Routledge
File Extension: PDF
File size: 2.99 MB
Pages: 329
Author: García Morcillo, Marta; Hanesworth, Pauline; Lapeña Marchena, Óscar
ISBN: 9780415843973, 0415843979
Language: English
Year: 2015
Edition: 1

Product desciption

Imagining Ancient Cities In Film From Babylon To Cinecitta 1st Edition Garca Morcillo by García Morcillo, Marta; Hanesworth, Pauline; Lapeña Marchena, Óscar 9780415843973, 0415843979 instant download after payment.

In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some cinematic cities have even managed to transcend fiction to become part of modern collective memory. Can we imagine a futuristic city not inspired at least remotely by Fritz Lang’s Metropolis? In the same way, ancient Babylon, Troy and Rome can hardly be shaped in popular imagination without conscious or subconscious references to the striking visions of Griffiths’ Intolerance, Petersen’s Troy and Scott’s Gladiator, to mention only a few influential examples. Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early cinema to the 21st century.

The volume analyzes the different choices made by filmmakers, art designers and screen writers to recreate ancient urban spaces as more or less convincing settings of mythical and historical events. In looking behind and beyond intended archaeological accuracy, symbolic fantasy, primitivism, exoticism and Hollywood-esque monumentality, this volume pays particular attention to the depiction of cities as faces of ancient civilizations, but also as containers of moral ideas and cultural fashions deeply rooted in the contemporary zeitgeist and in continuously revisited traditions.

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