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Interrogating Lesbian Modernism Histories Forms Genres 1st Edition Elizabeth English Editor Jana Funke Editor Sarah Parker Editor

  • SKU: BELL-50825476
Interrogating Lesbian Modernism Histories Forms Genres 1st Edition Elizabeth English Editor Jana Funke Editor Sarah Parker Editor
$ 31.00 $ 45.00 (-31%)

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Interrogating Lesbian Modernism Histories Forms Genres 1st Edition Elizabeth English Editor Jana Funke Editor Sarah Parker Editor instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 4.12 MB
Pages: 304
Author: Elizabeth English (editor); Jana Funke (editor); Sarah Parker (editor)
ISBN: 9781474486071, 147448607X
Language: English
Year: 2023
Edition: 1

Product desciption

Interrogating Lesbian Modernism Histories Forms Genres 1st Edition Elizabeth English Editor Jana Funke Editor Sarah Parker Editor by Elizabeth English (editor); Jana Funke (editor); Sarah Parker (editor) 9781474486071, 147448607X instant download after payment.

A timely and original examination of lesbian modernism
  • Reflects critically upon 30 years of lesbian modernist studies to expand existing meanings and uses of lesbian modernism
  • Outlines novel ways in which lesbian modernism can continue to inform and enrich modernist studies
  • Critically investigates the boundaries of lesbian modernism in relation to queer and feminist modernism
  • Offers new readings of familiar and lesser-known lesbian modernist authors

Makiko Minow coined the phrase ‘lesbian modernism’ in 1989. Since then, scholars of lesbian modernism have produced crucial work to critique and expand the modernist canon. At the same time, there has been ongoing critical debate about what constitutes a lesbian modernist text, who counts as a lesbian modernist author, and how lesbian modernism relates to queer and trans modernism. This edited volume presents twelve newly commissioned chapters that reassess and interrogate the meanings, uses and limitations of lesbian modernism by exploring a broad range of authors, genres and histories. Individual chapters investigate what work the concept of ‘lesbian modernism’ has done in the past, how its boundaries have been defined and contested, and what voices have been included and excluded. As a whole, the book demonstrates how the concept of lesbian modernism can be mobilised in new and meaningful ways to continue to inform and enrich modernist studies.

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