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Islamic Manuscripts Of Late Medieval Rum 1270s1370s Production Patronage And The Arts Of The Book Cailah Jackson

  • SKU: BELL-51975400
Islamic Manuscripts Of Late Medieval Rum 1270s1370s Production Patronage And The Arts Of The Book Cailah Jackson
$ 31.00 $ 45.00 (-31%)

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Islamic Manuscripts Of Late Medieval Rum 1270s1370s Production Patronage And The Arts Of The Book Cailah Jackson instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 25.99 MB
Pages: 320
Author: Cailah Jackson
ISBN: 9781474451512, 1474451519
Language: English
Year: 2022

Product desciption

Islamic Manuscripts Of Late Medieval Rum 1270s1370s Production Patronage And The Arts Of The Book Cailah Jackson by Cailah Jackson 9781474451512, 1474451519 instant download after payment.

The first in-depth survey of illuminated manuscripts from Anatolia before the rise of the Ottoman Empire
Winner of the 2021 Dionisius A. Agius Prize for a distinguished first book in the field of Medieval Mediterranean Studies from the Society of the Medieval Mediterranean
  • Meticulously analyses 15 Persian and Arabic manuscripts including the Mas̲navī of Jalāl al-Dīn Rūmī (1278), the Qaramanid Qur’an (1314-15) and the Dīvān-i Kabīr of Jalāl al-Dīn Rūmī (1368)
  • Translates new and unpublished primary sources on the cultural history of the period, including manuscript colophons, dedications and endowment notes
  • Includes a comprehensive catalogue of key manuscripts
  • Fully illustrated in colour with many unpublished or hard-to-find images

Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rūm were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur’ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.

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