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5.0
18 reviewsThe book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films & is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films & Barker’s The Italian, 1915), & “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), & Bonifacio’s Amexicano (2007) – & survey essays that discuss the Italian American ‘celluloid closet’ & some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality & transnationality.
The types of media examined in this section include television & graphic novels as well as puppetry, Instagram, & Internet memes. Part III contains interviews with Italian American scholars, movie directors, & performers. Together, the contributions to this collection demonstrate the vitality, mutation, & persistence of Italian Americanness in visual media.
