logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Jimi Hendrix And The Cultural Politics Of Popular Music 1st Ed Aaron Lefkovitz

  • SKU: BELL-7149436
Jimi Hendrix And The Cultural Politics Of Popular Music 1st Ed Aaron Lefkovitz
$ 31.00 $ 45.00 (-31%)

5.0

28 reviews

Jimi Hendrix And The Cultural Politics Of Popular Music 1st Ed Aaron Lefkovitz instant download after payment.

Publisher: Springer International Publishing;Palgrave Pivot
File Extension: PDF
File size: 1.47 MB
Author: Aaron Lefkovitz
ISBN: 9783319770123, 9783319770130, 3319770128, 3319770136
Language: English
Year: 2018
Edition: 1st ed.

Product desciption

Jimi Hendrix And The Cultural Politics Of Popular Music 1st Ed Aaron Lefkovitz by Aaron Lefkovitz 9783319770123, 9783319770130, 3319770128, 3319770136 instant download after payment.

This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix’s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.

Related Products