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0 reviewsPlaza's life and music are little studied, and Labonville's ambitious book is the first in English to be based on his extensive writings and compositions. As these and other documents show, Plaza filled numerous roles in Venezuela's musical infrastructure including researcher, performer, teacher, composer, promoter, critic, chapel master, and director of national culture. Labonville examines Plaza's many roles in an attempt to assess how the nationalist spirit affected art music culture in Venezuela, and what changes it brought to Venezuela's musical landscape.
"A path-breaking work that will be of great use to American scholarshipin mapping out what remains, to our shame, largely terra incognita to musical scholarship." -- Alejandro Enrique Planchart, Emeritus Professor of Music, UCSB
