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Kenji Mizoguchi And The Art Of Japanese Cinema 1st Edition Tadao Sato A Vasudev

  • SKU: BELL-5241434
Kenji Mizoguchi And The Art Of Japanese Cinema 1st Edition Tadao Sato A Vasudev
$ 31.00 $ 45.00 (-31%)

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Kenji Mizoguchi And The Art Of Japanese Cinema 1st Edition Tadao Sato A Vasudev instant download after payment.

Publisher: Bloomsbury Academic
File Extension: PDF
File size: 31.96 MB
Pages: 224
Author: Tadao Sato; A. Vasudev, L. Padgaonkar (eds.)
ISBN: 9781847882301, 1847882307
Language: English
Year: 2008
Edition: 1

Product desciption

Kenji Mizoguchi And The Art Of Japanese Cinema 1st Edition Tadao Sato A Vasudev by Tadao Sato; A. Vasudev, L. Padgaonkar (eds.) 9781847882301, 1847882307 instant download after payment.

Translated by Brij Tankha

Kenji Mizoguchi is one of the three acclaimed masters--together with Yasujiro Ozu and Akira Kurosawa--of Japanese cinema. Ten years in the making, Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the 20th century.

Born at the end of the 19th Century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his beloved sister was sold into a geisha house. Her earnings paid for Mizoguchi's education. Weak and deluded men, and strong, self-sacrificing women--these were to become the obsessive motifs of Mizoguchi's films.

Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns--the role of women and the realist representation of the inequities of Japanese society--were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan.
Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director. Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture.

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