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Large Scale Fabricating Sculpture In The 1960s And 1970s Jonathan D Lippincott

  • SKU: BELL-43172680
Large Scale Fabricating Sculpture In The 1960s And 1970s Jonathan D Lippincott
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Large Scale Fabricating Sculpture In The 1960s And 1970s Jonathan D Lippincott instant download after payment.

Publisher: Princeton Architectural Press
File Extension: PDF
File size: 33.25 MB
Pages: 256
Author: Jonathan D. Lippincott
ISBN: 9781568989341, 1568989342
Language: English
Year: 2010

Product desciption

Large Scale Fabricating Sculpture In The 1960s And 1970s Jonathan D Lippincott by Jonathan D. Lippincott 9781568989341, 1568989342 instant download after payment.

Prior to 1966, if artists wanted to create works larger than their studios or metalworking abilities allowed, they had to turn to industrial manufacturers, usually, steel fabricators or boat builders, who, not surprisingly, were often unable to accommodate the creative process of making art. The opening that spring of Lippincott, Inc. changed that and the direction of American art in the process. 

Functioning as an extension of the artists' studios, Lippincott, Inc. was also a new kind of all-in-one sculpture production centre that put the tools of industrial fabrication in the hands of artists, allowing them to produce at a scale they had previously only dreamt of on paper. 

Over the years of the shop's operation from 1966 to 1994, Lippincott, Inc. has produced sculptures by nearly one hundred artists. Fortuitously, the shop's founders, Donald Lippincott and Roxanne Everett, meticulously documented the working processes of some of the most important American artists of the twentieth century such as Claes Oldenburg, Louise Nevelson, Ellsworth Kelly, Robert Indiana, and Barnett Newman

Drawing on the vast collection of the images in the Lippincott archive, Large Scale presents over three hundred photographs of these artists and their iconic large scale works including Newman's Broken Obelisk, Indiana's Love, Oldenburg's Mouse, and Rosenthal's Alamo, many of which have been previously unseen. These rare, behind-the-scenes images offer fresh insight into an important chapter of art history and compel us all to see these enduring works with fresh eyes. An introduction by curator Patterson Sims places the evolution of Lippincott, Inc. in the context of the history of American art.

Jonathan D. Lippincott:  studied studio art and art history at Swarthmore College, graduating in 1989. During the next few years, he worked at Haystack Mountain School of Crafts as a cook and handyman, at the Yale University Art Gallery as an art handler, and as a dessert baker in Providence, Rhode Island. In 1993 he moved to New York City to begin work in publishing, and a year later he joined Farrar, Straus and Giroux, where he is currently the design manager. Since 2000 he has also worked independently as art director and designer for a range of illustrated books about architecture, landscape, and fine art.

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