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4.1
90 reviewsIn Learning to Kneel, Carrie J. Preston locates noh drama's influence on American and European writers, dancers, and composers. Preston's work has been profoundly shaped by her training in noh performance technique in Tokyo, a cross-cultural exchange that challenged her assumptions. Pound, Yeats, Brecht, and others are often criticized for their Orientalist tendencies and misappropriation of noh, but Preston's analysis and her own journey reflect a more nuanced understanding of cultural exchange.
Learning to Kneel locates noh drama’s influence on American and European writers, dancers, and composers. Carrie J. Preston’s work has been profoundly shaped by her training in noh performance. While her subjects are often criticized for Orientalist tendencies, Preston’s own journey reflects a more nuanced understanding of cultural exchange.
