EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link: https://ebookbell.com/faq

We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.

For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Legitimate Cinema Theatre Stars In Silent British Films 19081918 Jon Burrows

Name: Legitimate Cinema Theatre Stars In Silent British Films 19081918 Jon Burrows
SKU: BELL-5720606
Price: 31.00 USD
Availability: InStock
Rating: 4.25 (8 reviews)

SKU: BELL-5720606

$ 31.00 ~~$ 45.00~~ (-31%)

4.3

8 reviews

Legitimate Cinema Theatre Stars In Silent British Films 19081918 Jon Burrows instant download after payment.

Publisher: University of Exeter Press

File Extension: PDF

File size: 3.31 MB

Pages: 288

Author: Jon Burrows

ISBN: 9780859897259, 0859897257

Language: English

Year: 2003

Product desciption

Legitimate Cinema Theatre Stars In Silent British Films 19081918 Jon Burrows by Jon Burrows 9780859897259, 0859897257 instant download after payment.

This is the first new book-length study of British cinema of the 1910s to be published for over fifty years, and it focuses on the close relationship between the British film industry and the Edwardian theatre. Why were so many West End legends such as Sir Herbert Beerbohm Tree and Ellen Terry repeatedly tempted to dabble in silent film work? Why were film producers so keen to employ them? Jon Burrows studies their screen performances and considers how successfully they made the transition from one medium to the other, and offers some controversial conclusions about the surprisingly broad social range of filmgoers to whom their films appealed.