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Loves Wounds Violence And The Politics Of Poetry In Early Modern Europe 1st Edition Cynthia N Nazarian

  • SKU: BELL-51604806
Loves Wounds Violence And The Politics Of Poetry In Early Modern Europe 1st Edition Cynthia N Nazarian
$ 31.00 $ 45.00 (-31%)

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Loves Wounds Violence And The Politics Of Poetry In Early Modern Europe 1st Edition Cynthia N Nazarian instant download after payment.

Publisher: Cornell University Press
File Extension: PDF
File size: 2.62 MB
Pages: 316
Author: Cynthia N. Nazarian
ISBN: 9781501708268, 1501708260
Language: English
Year: 2017
Edition: 1

Product desciption

Loves Wounds Violence And The Politics Of Poetry In Early Modern Europe 1st Edition Cynthia N Nazarian by Cynthia N. Nazarian 9781501708268, 1501708260 instant download after payment.

Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d’Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.

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