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Made In Gods Image Eve And Adam In The Genesis Mosaics At San Marco Venice Reprint 2020 Penny Howell Jolly

  • SKU: BELL-51815780
Made In Gods Image Eve And Adam In The Genesis Mosaics At San Marco Venice Reprint 2020 Penny Howell Jolly
$ 31.00 $ 45.00 (-31%)

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Made In Gods Image Eve And Adam In The Genesis Mosaics At San Marco Venice Reprint 2020 Penny Howell Jolly instant download after payment.

Publisher: University of California Press
File Extension: PDF
File size: 18.52 MB
Pages: 172
Author: Penny Howell Jolly
ISBN: 9780520318229, 0520318226
Language: English
Year: 2020
Edition: Reprint 2020

Product desciption

Made In Gods Image Eve And Adam In The Genesis Mosaics At San Marco Venice Reprint 2020 Penny Howell Jolly by Penny Howell Jolly 9780520318229, 0520318226 instant download after payment.

The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work.

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