Medieval Liturgical Chant And Patristic Exegesis Words And Music In The Secondmode Tracts Studies In Medieval And Renaissance Music Emma Hornby by Emma Hornby 9781843834717 instant download after payment.

How do text and melody relate in western liturgical chant? Is the music simply an abstract vehicle for the text, or does it articulate textual structure and meaning? These questions are addressed here through a case study of the second-mode tracts, lengthy and complex solo chants for Lent, which were created in the papal choir of Rome before the mid-eighth century. These partially formulaic chants function as exegesis, with non-syntactical text divisions and emphatic musical phrases promoting certain directions of inner meditation in both performers and listeners. Dr Hornby compares the four second-mode tracts representing the core repertory to related ninth-century Frankish chants, showing that their structural and aesthetic principles are neither Frankish nor a function of their notation in the earliest extant manuscripts, but are instead a well-remembered written reflection of a long oral tradition, stemming from Rome.Dr EMMA HORNBY teaches in the Department of Music at the University of Bristol.Table of ContentsIntroductionThe Origins of the Second-Mode Tract TextsPsalter Divisions per cola et commata and Textual Grammar in the Structure of the Second-Mode TractsThe Musical Grammar of the Second-Mode TractsResponses to Textual Meaning in the Second-Mode Tract MelodiesGenre and the Second-Mode TractsEripe me and the Frankish Understanding of the Second-Mode Tracts in the Early-Ninth CenturyThe Understanding of the Genre in the Earliest Notated Witnesses: The Evidence of the Second-Mode Tracts Composed by ca. 900 ADConclusionAppendix 1: Second-Mode Tract Texts, Translations, Parts of Speech and Melodic PhrasesAppendix 2: Mass Proper Manuscripts Referred to in this Study, and the Repertory of Second-Mode Tracts Found in the Sample of Early ManuscriptsAppendix 3: Facsimiles of Audi filia and Diffusa est gratia in Lei, and of the Second-Mode Tracts in Fle1 and KorAppendix 4: Analytical Tables of the Formulaic Phrases in Fle1 and OrcAppendix 5: The Textual Tradition of the Core Repertory Second-Mode Tracts and Eripe meAppendix 6: Transcriptions of the Chants Discussed in this StudyBibliography