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4.8
74 reviewsIn a series of fresh readings of Melville's works, ranging from the most to the least canonical, Marrs demonstrates how and why Melville developed this understanding of beauty, and the ways it resonates with recent scholarship on aesthetics, posthumanism, ecocriticism, materialism, and the means and methods of American literary studies. By recentring Melville's treatment of beauty and exploring its philosophical and scholarly implications, Marrs provides a new, evocative perspective on Melville as well as the broader field of American literary studies.