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Monika Huber Archive Onethirty Monika Huber Ernst Van Alphen Mieke Bal James W Davis Antje Kapust Ute Schaeffer Ulrich Wilmes Bernhart Schwenk

  • SKU: BELL-51929710
Monika Huber Archive Onethirty Monika Huber Ernst Van Alphen Mieke Bal James W Davis Antje Kapust Ute Schaeffer Ulrich Wilmes Bernhart Schwenk
$ 31.00 $ 45.00 (-31%)

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Monika Huber Archive Onethirty Monika Huber Ernst Van Alphen Mieke Bal James W Davis Antje Kapust Ute Schaeffer Ulrich Wilmes Bernhart Schwenk instant download after payment.

Publisher: Deutscher Kunstverlag (DKV)
File Extension: PDF
File size: 20.33 MB
Pages: 192
Author: Monika Huber; Ernst van Alphen; Mieke Bal; James W. Davis; Antje Kapust; Ute Schaeffer; Ulrich Wilmes; Bernhart Schwenk
ISBN: 9783422800984, 3422800980
Language: English
Year: 2023

Product desciption

Monika Huber Archive Onethirty Monika Huber Ernst Van Alphen Mieke Bal James W Davis Antje Kapust Ute Schaeffer Ulrich Wilmes Bernhart Schwenk by Monika Huber; Ernst Van Alphen; Mieke Bal; James W. Davis; Antje Kapust; Ute Schaeffer; Ulrich Wilmes; Bernhart Schwenk 9783422800984, 3422800980 instant download after payment.

One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photographing images from daily news reports that bear witness to protest, riots, war and violence, as well as their consequences. She saves the images digitally, prints them out and reworks them by means of painting and drawing. Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accompanied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives.


  • Artistic exposure of media images and their rhetoric
  • With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk

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