logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Monks In Glaze Patronage Kiln Origin And Iconography Of The Yixian Luohans Eileen Hsiangling Hsu

  • SKU: BELL-11253690
Monks In Glaze Patronage Kiln Origin And Iconography Of The Yixian Luohans Eileen Hsiangling Hsu
$ 31.00 $ 45.00 (-31%)

4.4

52 reviews

Monks In Glaze Patronage Kiln Origin And Iconography Of The Yixian Luohans Eileen Hsiangling Hsu instant download after payment.

Publisher: Brill
File Extension: PDF
File size: 24.21 MB
Pages: 270
Author: Eileen Hsiang-ling Hsu
ISBN: 9789004335844, 9004335846
Language: English
Year: 2016

Product desciption

Monks In Glaze Patronage Kiln Origin And Iconography Of The Yixian Luohans Eileen Hsiangling Hsu by Eileen Hsiang-ling Hsu 9789004335844, 9004335846 instant download after payment.

Monks in Glaze is a complete reassessment of the famous group of large glazed ceramic sculptures known as the Yixian Luohans. Drawing upon hitherto-unknown epigraphic documents, Eileen Hsiang-ling Hsu proposes a new date (1511 1519) for the group s production and, for the first time, identifies the kiln centre near Beijing as its birthplace. Removed more than one hundred years ago from a massive grotto in northern China, the group s provenance disappeared after its dispersal between 1913 and 1933. Delving into the social and economic issues of religious patronage, imperial workshop practice, and nuanced style of post-Yuan Buddhist art, Hsu convincingly shows that such a large group of masterworks were products of well-developed commercial economy of the Ming dynasty."

Related Products