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0 reviewsHarry Sword’s debut, a colossal history of ‘the drone’ as it manifests itself in music, ritual & the universe.
Monolithic Undertow alights a crooked path across musical, religious & subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, ringing feedback, chest plate sub-bass, avant-garde eccentricity, sound weaponry & fervent spiritualism. From Neolithic beginnings to bawdy medieval troubadours, Sufi mystics to Indian raga masters, cone shattering dubwise bass, Hawkwind’s Ladbroke Grove to the outer reaches of Faust & Ash Ra Temple; the hash-fueled fug of The Theatre of Eternal Music to the cough syrup reverse hardcore of Melvins, seedy VHS hinterland of Electric Wizard, ritual amp worship of Earth & Sunn O))) & the many touch points in between, Monolithic Undertow explores the power of the drone – an audio carrier vessel capable of evoking womb like warmth or cavernous dread alike.
In 1977 Sniffin’ Glue verbalised the musical zeitgeist with their infamous ‘this is a chord; this is another; now form a band’ illustration. The drone requires neither chord nor band, representing – via its infinite pliability & accessibility- the ultimate folk music: a potent audio tool of personal liberation. Immersion in hypnotic & repetitive sounds allows us to step outside of ourselves, be it chant, a 120dB beasting from Sunn O))), standing front of the system as Jah Shaka drops a fresh dub or going full headphone immersion with Hawkwind. These experiences are akin to an audio portal – a sound Tardis to silence the hum & fizz of the unceasing inner voice. The drone exists outside of us, but also – paradoxically – within us all; an aural expression of a universal hum we can only hope to fleetingly channel…
Lee Brackstone, Publisher of White Rabbit Books said, Monolithic Undertow is going to be the essential music book of...