logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Monteverdis Last Operas A Venetian Trilogy Ebook Ellen Rosand

  • SKU: BELL-10416298
Monteverdis Last Operas A Venetian Trilogy Ebook Ellen Rosand
$ 31.00 $ 45.00 (-31%)

5.0

60 reviews

Monteverdis Last Operas A Venetian Trilogy Ebook Ellen Rosand instant download after payment.

Publisher: University of California Press
File Extension: PDF
File size: 48.75 MB
Pages: 496
Author: Ellen Rosand
ISBN: 9780520933279, 0520933273
Language: English
Year: 2007
Edition: ebook

Product desciption

Monteverdis Last Operas A Venetian Trilogy Ebook Ellen Rosand by Ellen Rosand 9780520933279, 0520933273 instant download after payment.

Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works "Il ritorno d'Ulisse "(1640) and "L'incoronazione di Poppea "(1642) from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, "Le nozze d'Enea "(1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of "Ritorno "and "Poppea, "in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. "Le nozze d'Enea "also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.

Related Products