logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Music And Politics In San Francisco From The 1906 Quake To The Second World War Leta E Miller

  • SKU: BELL-51823976
Music And Politics In San Francisco From The 1906 Quake To The Second World War Leta E Miller
$ 31.00 $ 45.00 (-31%)

5.0

98 reviews

Music And Politics In San Francisco From The 1906 Quake To The Second World War Leta E Miller instant download after payment.

Publisher: University of California Press
File Extension: PDF
File size: 3.56 MB
Pages: 384
Author: Leta E. Miller
ISBN: 9780520950092, 0520950097
Language: English
Year: 2011

Product desciption

Music And Politics In San Francisco From The 1906 Quake To The Second World War Leta E Miller by Leta E. Miller 9780520950092, 0520950097 instant download after payment.

This lively history immerses the reader in San Francisco’s musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America’s first municipally owned opera house. Miller demonstrates that rampant racism, initially directed against Chinese laborers (and their music), reappeared during the 1930s in the guise of labor unrest as WPA music activities exploded in vicious battles between administrators and artists, and African American and white jazz musicians competed for jobs in nightclubs.

Related Products