logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

My Self On Camera First Person Documentary Practice In An Individualising China Kiki Tianqi Yu

  • SKU: BELL-51974442
My Self On Camera First Person Documentary Practice In An Individualising China Kiki Tianqi Yu
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

My Self On Camera First Person Documentary Practice In An Individualising China Kiki Tianqi Yu instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 9.96 MB
Pages: 240
Author: Kiki Tianqi Yu
ISBN: 9780748698226, 0748698221
Language: English
Year: 2022

Product desciption

My Self On Camera First Person Documentary Practice In An Individualising China Kiki Tianqi Yu by Kiki Tianqi Yu 9780748698226, 0748698221 instant download after payment.

An exploration of first person narrative documentary in China’s post-Mao era

‘My’ Self on Camera is the first book to explore first person narrative documentary in China’s post-Mao era. Since the emergence of the individual as an ever more important social figure in China, this mode of independent filmmaking and cultural practice has become increasingly significant. Combining the approach of cultural ethnography, interviews, and textual analysis of selected films, this study examines the motivations, key aesthetic features and ethical tensions of presenting the self on camera, as well as the socio-political, cultural and technical conditions surrounding its practice. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.

Related Products