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4.1
50 reviewsDiscusses the central topics in contemporary film theory, which the author designates as the theory of film that proceeds within a sociological framework often amplified by Marxism and psychoanalysis. Topics include the psychoanalysis theories of Metz and Baudry, the Althusserian-Lacanian paradigm of Marxism and psychoanalysis, the cinematic image, the structure and function of narrative, and others.
