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Networks Of Sound Style And Subversion The Punk And Postpunk Worlds Of Manchester London Liverpool And Sheffield 197580 Nick Crossley

  • SKU: BELL-33838036
Networks Of Sound Style And Subversion The Punk And Postpunk Worlds Of Manchester London Liverpool And Sheffield 197580 Nick Crossley
$ 31.00 $ 45.00 (-31%)

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Networks Of Sound Style And Subversion The Punk And Postpunk Worlds Of Manchester London Liverpool And Sheffield 197580 Nick Crossley instant download after payment.

Publisher: Manchester University Press
File Extension: PDF
File size: 8.1 MB
Pages: 268
Author: Nick Crossley
ISBN: 9780719088643, 9780719088650, 071908864X, 0719088658
Language: English
Year: 2015

Product desciption

Networks Of Sound Style And Subversion The Punk And Postpunk Worlds Of Manchester London Liverpool And Sheffield 197580 Nick Crossley by Nick Crossley 9780719088643, 9780719088650, 071908864X, 0719088658 instant download after payment.

In this important book Nick Crossley examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Dominant explanations of these developments have tended to focus upon strains and frustrations, both social and aesthetic, which are said to have provoked a generation of young people into rebellious action. Crossley identifies a number of problems with such explanations, stressing in particular their failure to explore punk's 'micro-mobilisation'. UK punk emerged within the interactions of a small, circumscribed and geographically concentrated network of music enthusiasts, he argues, and sociological analysis of it must start there; with this network and the events and mechanisms which allowed it grow to a national scale, diffusing punk culture. Similarly, to fully understand post-punk we must investigate the various city-based networks, generated in some part through excitement about punk, which incubated both frustration at what it soon became and creative attempts to transcend its limitations.
Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', Crossley engages with the detail of punk's emergence, diffusion and subsequent transformation into post-punk, offering a highly original and robust account of these fascinating and culturally important processes.
Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

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