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Occupy Three Inquiries In Disobedience W J T Mitchell William John Thomas Mitchell Bernard E Harcourt Michael Taussig

  • SKU: BELL-13566074
Occupy Three Inquiries In Disobedience W J T Mitchell William John Thomas Mitchell Bernard E Harcourt Michael Taussig
$ 31.00 $ 45.00 (-31%)

4.7

46 reviews

Occupy Three Inquiries In Disobedience W J T Mitchell William John Thomas Mitchell Bernard E Harcourt Michael Taussig instant download after payment.

Publisher: University of Chicago Press
File Extension: PDF
File size: 1.24 MB
Pages: 130
Author: W. J. T. Mitchell; William John Thomas Mitchell; Bernard E. Harcourt; Michael Taussig
ISBN: 9780226042602, 022604260X
Language: English
Year: 2013

Product desciption

Occupy Three Inquiries In Disobedience W J T Mitchell William John Thomas Mitchell Bernard E Harcourt Michael Taussig by W. J. T. Mitchell; William John Thomas Mitchell; Bernard E. Harcourt; Michael Taussig 9780226042602, 022604260X instant download after payment.

Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors’ lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. “You break through the screen like Alice in Wonderland,” Taussig writes in the opening essay, “and now you can’t leave or do without it.” Following Taussig’s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter—by rejecting the very discourse and strategy of politics—Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument. Occupy stands not as a primer on or an authoritative account of 2011’s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment—an occupation itself.

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