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Painting The Novel Pictorial Discourse In Eighteenthcentury English Fiction First Edition Lipski

SKU: BELL-9953986

$ 31.00 ~~$ 45.00~~ (-31%)

4.3

98 reviews

Painting The Novel Pictorial Discourse In Eighteenthcentury English Fiction First Edition Lipski instant download after payment.

Publisher: Taylor and Francis

File Extension: PDF

File size: 6.91 MB

Author: Lipski, Jakub

ISBN: 9780815352921, 9781351137812, 0815352921, 1351137816

Language: English

Year: 2018

Edition: First edition

Product desciption

Painting The Novel Pictorial Discourse In Eighteenthcentury English Fiction First Edition Lipski by Lipski, Jakub 9780815352921, 9781351137812, 0815352921, 1351137816 instant download after payment.

"Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting - a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel"."--Provided by publisher.
Abstract: "Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting - a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel"."--Provided by publisher