logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Performative Opacity In The Work Of Isabelle Huppert Iggy Cortez

  • SKU: BELL-50825576
Performative Opacity In The Work Of Isabelle Huppert Iggy Cortez
$ 31.00 $ 45.00 (-31%)

5.0

98 reviews

Performative Opacity In The Work Of Isabelle Huppert Iggy Cortez instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 4.57 MB
Pages: 168
Author: Iggy Cortez, Ian Fleishman, (editors)
ISBN: 9781474479837, 9781474479851, 1474479839, 1474479855
Language: English
Year: 2023

Product desciption

Performative Opacity In The Work Of Isabelle Huppert Iggy Cortez by Iggy Cortez, Ian Fleishman, (editors) 9781474479837, 9781474479851, 1474479839, 1474479855 instant download after payment.

Engages with the career of Isabelle Huppert, a major figure in French, European, and World Cinema
  • Offers analytic frameworks for performance aesthetics in dialogue with critical theory
  • Offers new readings of important films through the lens of Huppert’s acting
  • Uses Huppert to theorise screen performance aesthetics in dialogue with debates in the humanities on negativity, affect, and gender

Performative Opacity in the Work of Isabelle Huppert argues that the career of this singular French actor—constituting a corpus of well over a hundred films—offers a unique testing ground for current approaches in film studies and affect studies.


Attention to Huppert’s performances can reframe recent discussions on the social and cultural dimensions of emotion and normativity through a compelling paradox: her roles tend to express grandiose and overwhelming conditions central to debates in the humanities—negativity, dispossession, trauma—but through elusive and at times resistant or diminutive forms of expression: what J. Hoberman once called her genius

Related Products