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Petronius and the Anatomy of Fiction 1st Edition by Victoria Rimell ISBN 0521037018 9780521037013

  • SKU: BELL-2107936
Petronius and the Anatomy of Fiction 1st Edition by Victoria Rimell ISBN 0521037018 9780521037013
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Petronius and the Anatomy of Fiction 1st Edition by Victoria Rimell ISBN 0521037018 9780521037013 instant download after payment.

Publisher: Cambridge University Press
File Extension: PDF
File size: 1.12 MB
Pages: 251
Author: Victoria Rimell
ISBN: 9780521815864, 052181586X
Language: English
Year: 2002

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Petronius and the Anatomy of Fiction 1st Edition by Victoria Rimell ISBN 0521037018 9780521037013 by Victoria Rimell 9780521815864, 052181586X instant download after payment.

Petronius and the Anatomy of Fiction 1st Edition by Victoria Rimell - Ebook PDF Instant Download/Delivery: 0521037018, 9780521037013
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ISBN 10: 0521037018 
ISBN 13: 9780521037013
Author: Victoria Rimell

Metaphors of the body form an important feature of Petronius' Satyricon. This book claims that the text can be read as a unified whole rather than as episodic jumble, despite its fragmentation. Presented as disturbing as well as comic, intricately structured as well as chaotic, the study asserts that the Satyricon's imagery constantly mirrors apparent paradoxes. Thus corporeality is explored as a metaphor rather than just as an index of the "low" genre of the novel.

Petronius and the Anatomy of Fiction 1st Table of contents:

Part I: Context and Controversies

  • Chapter 1: The World of Petronius: Rome at its Farthest Limits
    • 1.1 The Neronian Age: Decadence, Art, and Power.
    • 1.2 Historical Evidence for Petronius Arbiter: Fact and Legend.
    • 1.3 Dating the Satyricon and its Imperial Context.
    • 1.4 The Fragmentary Nature of the Text: Challenges and Interpretations.
  • Chapter 2: The Satyricon and the Genres of Antiquity
    • 2.1 Menippean Satire: Inheritances and Departures.
    • 2.2 The Ancient Novel: Greek Romances vs. Roman Realism.
    • 2.3 Epic Parody and Literary Criticism within the Text.
    • 2.4 The Problem of Classification: A Unique Hybrid.

Part II: Narrative Architecture and Structure

  • Chapter 3: The Picaresque Journey: Structure of Dislocation
    • 3.1 The Episodic Narrative: Wanderings of Encolpius, Ascyltus, and Giton.
    • 3.2 The Role of Chance and Fortune in the Narrative Arc.
    • 3.3 Lack of a Traditional Plot: Seriality vs. Development.
    • 3.4 The Fragment as a Structural Principle.
  • Chapter 4: Narrative Voice and Focalization
    • 4.1 Encolpius as Narrator: Unreliable, Self-Serving, and Comical.
    • 4.2 Multiple Perspectives and Internal Monologues.
    • 4.3 The Shifting Tone: From Mock-Epic to Low Comedy.
    • 4.4 Direct Speech and Dialogue: Crafting Character Through Voice.

Part III: Fictional Devices and Stylistic Innovations

  • Chapter 5: Realism, Satire, and Mimetic Detail
    • 5.1 The Representation of Roman Daily Life: Food, Sex, Money, Slaves.
    • 5.2 Verisimilitude and its Limits in a Satirical Context.
    • 5.3 The Use of Colloquial Language and Vulgarisms.
    • 5.4 Portrayal of Social Classes and Cultural Practices.
  • Chapter 6: Intertextuality and Literary Play
    • 6.1 Parody and Allusion: Virgil, Homer, Seneca.
    • 6.2 Literary Debates within the Satyricon (e.g., Agamemnon's lecture).
    • 6.3 Self-Referentiality and Meta-Fiction.
    • 6.4 The Role of Poetry within the Prose Narrative.
  • Chapter 7: Characterization: Beyond Stereotypes
    • 7.1 The Protagonists: Encolpius, Ascyltus, Giton – Their Motivations and Relationships.
    • 7.2 Trimalchio: The Paragon of the Nouveau Riche.
    • 7.3 Eumolpus: The Poet, the Parasite, and the Artist.
    • 7.4 Minor Characters: Slaves, Freemen, Prostitutes – Depth in Brevity.
    • 7.5 Static vs. Dynamic Characters: A Question of Satire vs. Novel.

Part IV: Themes and Their Fictional Expression

  • Chapter 8: Food, Sex, and Social Anxiety
    • 8.1 The "Cena Trimalchionis": A Masterpiece of Excess and Social Critique.
    • 8.2 Representations of Sexuality and Gender Roles.
    • 8.3 The Obsession with Wealth and Status.
    • 8.4 Freedom and Slavery: Social Mobility and Constraint.
  • Chapter 9: The Crisis of Art and Eloquence
    • 9.1 Degeneration of Rhetoric and Poetry in the Neronian Age.
    • 9.2 The Figure of the Failed Artist (Eumolpus).
    • 9.3 The Relationship Between Art and Decadence.
    • 9.4 Petronius's Own Literary Craft as a Counterpoint.
  • Chapter 10: Morality, Fortune, and the Absurd
    • 10.1 The Absence of Moral Judgment in the Narrative Voice.
    • 10.2 The Capriciousness of Fortune and Divine Indifference.
    • 10.3 Existential Themes in a Comical Framework.
    • 10.4 The Subversive Nature of Petronius's Worldview.

Part V: Legacy and Enduring Influence

  • Chapter 11: Reception and Transmission through the Ages
    • 11.1 Medieval and Renaissance Fortunes of the Satyricon.
    • 11.2 The Discovery and Impact of Lost Fragments.
    • 11.3 From Obscurity to Canonical Status.
  • Chapter 12: Petronius's Enduring Anatomy: Influence on Later Fiction
    • 12.1 The Picaresque Tradition (e.g., Don Quixote, Moll Flanders).
    • 12.2 Realism and Satire in the Novel (e.g., Swift, Voltaire, Fielding).
    • 12.3 Modernism and Postmodernism: Fragmentary Narratives and Self-Reflexivity.
    • 12.4 Petronius in Contemporary Literature and Culture.

Conclusion:

  • Chapter 13: The Unfinished Masterpiece: A Final Anatomy
    • Recap of key arguments: Petronius as a narrative innovator.
    • The Satyricon's unique blend of literary forms and social commentary.
    • Its continued relevance for understanding the possibilities of fiction.
    • Unanswered questions and future avenues of research.

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Tags: Victoria Rimell, Petronius, Anatomy

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