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Pictures Of The Catastrophe And Catastrophic Pictures Through The Theoretical Perspectives Of Gnter Abel Roland Barthes And Ulrich Baer An Analysis Of The Pictorial Production On The Occasion Of The 911 Catastrophe In New York And The Concept 1st Edition Oliver Mechcatie

  • SKU: BELL-51624734
Pictures Of The Catastrophe And Catastrophic Pictures Through The Theoretical Perspectives Of Gnter Abel Roland Barthes And Ulrich Baer An Analysis Of The Pictorial Production On The Occasion Of The 911 Catastrophe In New York And The Concept 1st Edition Oliver Mechcatie
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Pictures Of The Catastrophe And Catastrophic Pictures Through The Theoretical Perspectives Of Gnter Abel Roland Barthes And Ulrich Baer An Analysis Of The Pictorial Production On The Occasion Of The 911 Catastrophe In New York And The Concept 1st Edition Oliver Mechcatie instant download after payment.

Publisher: Cuvillier Verlag
File Extension: PDF
File size: 7.39 MB
Pages: 257
Author: Oliver Mechcatie
ISBN: 9783736982857, 3736982852
Language: English
Year: 2016
Edition: 1

Product desciption

Pictures Of The Catastrophe And Catastrophic Pictures Through The Theoretical Perspectives Of Gnter Abel Roland Barthes And Ulrich Baer An Analysis Of The Pictorial Production On The Occasion Of The 911 Catastrophe In New York And The Concept 1st Edition Oliver Mechcatie by Oliver Mechcatie 9783736982857, 3736982852 instant download after payment.

Die Katastrophe von 9/11 gab den Anstoß zu einer bis dato ungeheuren fotografischen Bilderflut. Deren mediale Verarbeitung im unmittelbaren Nachhall der Ereignisse hat sich tief in das kollektive Gedächtnis eingeprägt. Die Arbeit fokussiert am Beispiel dieser ‘katastrophalen Bildproduktion’ die Widersprüche der perzeptuellen Realisierung des Bildzeichens im Kontext der piktorialen Wende, die sich für die westliche Kultur im Allgemeinen diagnostizieren lässt. In den Analysen wird nun gezeigt, wie die Verwendung der Bilder zweier Bildgruppen (in der New York Times und im Bildarchiv “here is new york”) als Trauma verwirklicht wird.The catastrophe of 9/11 engendered a hitherto unknown immensity of photographic production. The medial processing of this production in the direct aftermath of the events deeply impacted the collective consciousness. This work focuses through the example of this ‘catastrophic pictorial production’ the contractions held within the perceptual realization of the pictorial sign in the context of the pictorial turn, which is diagnosed as taking place in the Western culture. In the analyses it is shown here how the application of the pictures of two pictorial groups (in The New York Times and the pictorial archive “here is new york”) is realized as a trauma.

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