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Place Setting Perspective Narrative Space In The Films Of Nanni Moretti Eleanor Andrews

  • SKU: BELL-5216394
Place Setting Perspective Narrative Space In The Films Of Nanni Moretti Eleanor Andrews
$ 31.00 $ 45.00 (-31%)

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Place Setting Perspective Narrative Space In The Films Of Nanni Moretti Eleanor Andrews instant download after payment.

Publisher: Fairleigh Dickinson University Press
File Extension: EPUB
File size: 1.51 MB
Pages: 258
Author: Eleanor Andrews
ISBN: 9781611476903, 1611476909
Language: English
Year: 2014

Product desciption

Place Setting Perspective Narrative Space In The Films Of Nanni Moretti Eleanor Andrews by Eleanor Andrews 9781611476903, 1611476909 instant download after payment.

Place, Setting, Perspectiveexamines the films of the Italian filmmaker, Nanni Moretti, from a fresh viewpoint, employing the increasingly significant research area of space within a filmic text. The book is conceived with the awareness that space cannot be studied only in aesthetic or narrative terms: social, political, and cultural aspects of narrated spaces are equally important if a thorough appraisal is to be achieved of an oeuvre such as Moretti’s, which is profoundly associated with socio-political commentary and analysis. After an exploration of various existing frameworks of narrative space in film, the book offers a particular definition of the term based on the notions ofPlace,Setting,andPerspective.Placerelates to the physical aspect of narrative space and specifically involves cityscapes, landscapes, interiors, and exteriors in the real world.Settingconcerns genre characteristics of narrative space, notably its differentiated use in melodrama, detective stories, fantasy narratives, and gender based scenarios.Perspectiveencompasses the point of view taken optically by the camera which supports the standpoint of Moretti’s personal philosophy expressed through the aesthetic aspects which he employs to create narrative space. The study is based on a close textual analysis of Moretti’s eleven major feature films to date, using the formal film language ofmise-en-scène, cinematography, editing, and sound. The aim is to show how Moretti selects, organizes, constructs, assembles, and manipulates the many elements of narrative space into an entire work of art, to enable meanings and pleasures for the spectator.

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