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Popular And Visual Culture Design Circulation And Consumption 1st Edition Clara Sarmento Ricardo Campos Rben Pinho Nuno Duarte Clara Sarmento Ricardo Campos

  • SKU: BELL-51310318
Popular And Visual Culture Design Circulation And Consumption 1st Edition Clara Sarmento Ricardo Campos Rben Pinho Nuno Duarte Clara Sarmento Ricardo Campos
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Popular And Visual Culture Design Circulation And Consumption 1st Edition Clara Sarmento Ricardo Campos Rben Pinho Nuno Duarte Clara Sarmento Ricardo Campos instant download after payment.

Publisher: Cambridge Scholars Publishing
File Extension: PDF
File size: 3.32 MB
Pages: 318
Author: Clara Sarmento; Ricardo Campos; Rúben Pinho; Nuno Duarte; Clara Sarmento; Ricardo Campos
ISBN: 9781443868310, 1443868310
Language: English
Year: 2014
Edition: 1

Product desciption

Popular And Visual Culture Design Circulation And Consumption 1st Edition Clara Sarmento Ricardo Campos Rben Pinho Nuno Duarte Clara Sarmento Ricardo Campos by Clara Sarmento; Ricardo Campos; Rúben Pinho; Nuno Duarte; Clara Sarmento; Ricardo Campos 9781443868310, 1443868310 instant download after payment.

Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical and academic terms. From the onset, this book questions the concepts of visual and popular culture, terms which are currently applied both to describe scientific fields, as operative concepts in theoretical discourse, and to characterize specific cultural contexts. The book’s analysis and categorization of visual and popular culture pursues discourses and practices which mark different historical eras and shape social orders. Because popular iconic and written productions are the outcome of a network of political, economic, ideological and social circumstances that are often hardly detectable and too taken for granted to be critically recognized, even by those who draw, paint or write (and live) under their influence. That is why visual figurations of popular culture should be studied as the support of a deeply motivated symbolic discourse on the values shared by a community. This book deals, in a way or another, with how popular and visual artefacts and sceneries are socially built, preserved and/or contested. The volume brings together, not only different disciplinary perspectives, but also diverse empirical phenomena, while approaching the wide subject of visuality and popular culture.

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