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0 reviewsSome of the essays are good, such as the one on two comedies of 1933 and the fate of Nazi era actors after the War. However, the more abstract the topic of an essay, such as how set design reveals attitudes toward "modernity," the less interesting it is for the general reader curious about the topic of Nazi Popular Cinema.
Thomas Elsaesser's "The Ministry of Illusion" or (to a lesser extent) "Entertaining the Third Reich" would be far more helpful to the American reader who is seeking to understand the controversial films of the Nazi era.
