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0 reviewsReading a wide range of popular texts, from Stephenie Meyer’s Twilight series through Tim Burton’s Gothic film adaptations of Sweeney Todd, Alice in Wonderland & Dark Shadows, to the appearance of Gothic in fashion, advertising & television, Catherine Spooner argues that conventional academic & media accounts of Gothic culture have overlooked this celebratory strain of ‘Happy Gothic’.
Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy & romance in earlier Gothic literature.
