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Prague Panoramas National Memory And Sacred Space In The Twentieth Century 1st Edition Cynthia Paces

  • SKU: BELL-51332544
Prague Panoramas National Memory And Sacred Space In The Twentieth Century 1st Edition Cynthia Paces
$ 31.00 $ 45.00 (-31%)

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Prague Panoramas National Memory And Sacred Space In The Twentieth Century 1st Edition Cynthia Paces instant download after payment.

Publisher: University of Pittsburgh Press
File Extension: PDF
File size: 2.17 MB
Pages: 328
Author: Cynthia Paces
ISBN: 9780822977674, 0822977672
Language: English
Year: 2009
Edition: 1

Product desciption

Prague Panoramas National Memory And Sacred Space In The Twentieth Century 1st Edition Cynthia Paces by Cynthia Paces 9780822977674, 0822977672 instant download after payment.

Prague Panoramas examines the creation of Czech nationalism through monuments, buildings, festivals, and protests in the public spaces of the city during the twentieth century. These "sites of memory" were attempts by civic, religious, cultural, and political forces to create a cohesive sense of self for a country and a people torn by war, foreign occupation, and internal strife. The Czechs struggled to define their national identity throughout the modern era. Prague, the capital of a diverse area comprising Czechs, Slovaks, Germans, Poles, Ruthenians, and Romany as well as various religious groups including Catholics, Protestants, and Jews, became central to the Czech domination of the region and its identity. These struggles have often played out in violent acts, such as the destruction of religious monuments, or the forced segregation and near extermination of Jews. During the twentieth century, Prague grew increasingly secular, yet leaders continued to look to religious figures such as Jan Hus and Saint Wenceslas as symbols of Czech heritage. Hus, in particular, became a paladin in the struggle for Czech independence from the Habsburg Empire and Austrian Catholicism. Through her extensive archival research and personal fieldwork, Cynthia Paces offers a panoramic view of Prague as the cradle of Czech national identity, seen through a vast array of memory sites and objects. From the Gothic Saint Vitus Cathedral, to the Communist Party's reconstruction of Jan Hus's Bethlehem Chapel, to the 1969 self-immolation of student Jan Palach in protest of Soviet occupation, to the Hosková plaque commemorating the deportation of Jews from Josefov during the Holocaust, Paces reveals the iconography intrinsic to forming a collective memory and the meaning of being a Czech. As her study discerns, that meaning has yet to be clearly defined, and the search for identity continues today.

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