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Queer Art Camp Superstar Decoding The Cinematic Cyberworld Of Ryan Trecartin Suny Series Horizons Of Cinema Zulueta

  • SKU: BELL-37313936
Queer Art Camp Superstar Decoding The Cinematic Cyberworld Of Ryan Trecartin Suny Series Horizons Of Cinema Zulueta
$ 31.00 $ 45.00 (-31%)

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Queer Art Camp Superstar Decoding The Cinematic Cyberworld Of Ryan Trecartin Suny Series Horizons Of Cinema Zulueta instant download after payment.

Publisher: SUNY Press
File Extension: PDF
File size: 28.33 MB
Pages: 210
Author: Zulueta, Ricardo E.
ISBN: 9781438468938, 1438468938
Language: English
Year: 2018

Product desciption

Queer Art Camp Superstar Decoding The Cinematic Cyberworld Of Ryan Trecartin Suny Series Horizons Of Cinema Zulueta by Zulueta, Ricardo E. 9781438468938, 1438468938 instant download after payment.

The first book-length study of Trecartin’s artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media. Hailed as “the most consequential artist to have emerged since the nineteen-eighties,” American artist and filmmaker Ryan Trecartin has received numerous accolades for his kaleidoscopic, multilayered movies and multimedia installations. However, there exists to date no comprehensive study of this prolific artist’s work. Queer Art Camp Superstar compensates for this absence of sustained critical analysis of Trecartin’s work by looking closely at a selection of his most significant movies in order to discern the artist’s artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media. Examining Trecartin’s substantial body of work, spanning from his early, pre-YouTube era series Early Baggage (2001–2003) to Temple Time (2016), Ricardo E. Zulueta adheres to a faithful chronological order, thus inviting readers to witness the ways thematic and formal concerns have evolved from Trecartin’s earliest movies to his more recent multimedia cinematic installations. Through precisely chosen screen captures extracted directly from the movies, Zulueta demonstrates the serious attention paid to camera angles, mise-en-scène, and shot transitions, thus revealing and reflecting on the concepts that underwrite and are underwritten in these narratives. Giving careful attention to Trecartin’s network of layered references to the grotesque and abject, carnivalesque and ludic, and camp imagery, Zulueta illustrates and explains how the artist takes on reality television, technology, fashion, consumption, and cyberspace.

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