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56 reviewsQueer Communism reconstructs queer writers’ engagements with a series of wide-ranging Marxist aesthetic debates, social forms and political strategies. Through case studies of Christopher Isherwood and Sylvia Townsend Warner, Salton-Cox argues that queer writing of the 1930s was deeply embedded in a network of transnational leftist formations stretching across Weimar Germany, Soviet Russia, Spain and China. Probing the left’s mounting heteronormativity in the late 30s and 40s in chapters on Katharine Burdekin and George Orwell, Queer Communism also traces the genesis of post-war sexual politics in Popular Front antifascism. Salton-Cox’s study transforms current narratives of mid-century literary, cultural and intellectual history from a queer Marxist perspective.