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Ralph Peer And The Making Of Popular Roots Music 1st Edition Barry Mazor

  • SKU: BELL-49421992
Ralph Peer And The Making Of Popular Roots Music 1st Edition Barry Mazor
$ 31.00 $ 45.00 (-31%)

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Ralph Peer And The Making Of Popular Roots Music 1st Edition Barry Mazor instant download after payment.

Publisher: Chicago Review Press
File Extension: EPUB
File size: 3.7 MB
Pages: 340
Author: Barry Mazor
ISBN: 9781613740248, 9781613740217, 1613740247, 1613740212
Language: English
Year: 2014
Edition: 1

Product desciption

Ralph Peer And The Making Of Popular Roots Music 1st Edition Barry Mazor by Barry Mazor 9781613740248, 9781613740217, 1613740247, 1613740212 instant download after payment.

This is the first biography of Ralph Peer, the adventurous—even revolutionary—A&R man and music publisher who saw the universal power locked in regional roots music and tapped it. It is the story of the life and fifty-year career—from the age of cylinder recordings to the stereo era—of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music. It tracks Peer's role in the recording of Mamie Smith's "Crazy Blues" (the record that sparked the blues craze), the first country recording sessions, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol Sessions, the popularizing of Latin American music during World War II, and the post-war transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock 'n' roll. But it is also the story of a man from humble Midwestern beginnings who went on to build the world's largest independent music publishing firm, fostering the global reach of music that had been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be. Barry Mazor is the author of Meeting Jimmie Rodgers. He has written regularly for the Wall Street Journal and No Depression magazine; his writing has also appeared in the Oxford American, the Washington Post, the Village Voice, and the Nashville Scene.

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