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Reading The Figural Or Philosophy After The New Media D N Rodowick

  • SKU: BELL-2374944
Reading The Figural Or Philosophy After The New Media D N Rodowick
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Reading The Figural Or Philosophy After The New Media D N Rodowick instant download after payment.

Publisher: Duke University Press Books
File Extension: PDF
File size: 5.37 MB
Pages: 297
Author: D. N. Rodowick
ISBN: 9780822327226, 9780822327110, 0822327228, 0822327112
Language: English
Year: 2001

Product desciption

Reading The Figural Or Philosophy After The New Media D N Rodowick by D. N. Rodowick 9780822327226, 9780822327110, 0822327228, 0822327112 instant download after payment.

In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-Fran?ois Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost film theorists writing today—contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control.Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.

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