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Reel Resistance The Cinema Of Jeanmarie Teno Melissa Thackway

  • SKU: BELL-52366148
Reel Resistance The Cinema Of Jeanmarie Teno Melissa Thackway
$ 31.00 $ 45.00 (-31%)

4.1

80 reviews

Reel Resistance The Cinema Of Jeanmarie Teno Melissa Thackway instant download after payment.

Publisher: James Currey
File Extension: PDF
File size: 19.52 MB
Pages: 253
Author: Melissa Thackway, Jean-Marie Teno
ISBN: 9781847012425, 1847012426
Language: English
Year: 2020

Product desciption

Reel Resistance The Cinema Of Jeanmarie Teno Melissa Thackway by Melissa Thackway, Jean-marie Teno 9781847012425, 1847012426 instant download after payment.

Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a formof decolonial cinematic resistance.
Co-winner African Literature Association Book of the Year - Scholarship
Both a monograph and a critical dialogue between academic Melissa Thackway, author of Africa Shoots Back, and the Cameroonian filmmaker Jean-Marie Teno, this collaborative work takes the reader on a journey through Teno's multifaceted on-going filmic reflection on Cameroon and the wider African continent, its socio-political systems, history, memory and cultures. Presenting and contextualizing Teno's cinema, it addresses the notion of political commitment in art and of cinema as a form of resistance. It also considers Teno's filmmaking both in relation to the theoretical and aesthetic debates to have animated West and Central African filmmakers since the 1960s and 1970s, and n relation to documentary filmmaking practices on the continent and beyond. In so doing, the book offers an analysis of the predominant stylistic and thematic traits of Teno's work, examines the individual films and the collective oeuvre, and highlights the evolutions of his film language and concerns. It identifies and explores the committed socio-political and historical themes at play, such as violence, power, history, memory, gender, trauma and exile. It also considers Teno's unwavering focus, both thematically and in his filmmaking choices, on forms and instances of resistance, framing his cinema as a form of decolonial aesthetics.

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