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4.8
34 reviewsBuilding on the concept of ‘performative refugeeness’, it considers how refugee voices are ambivalently enacted in alternative forms of media and considers the differences between the refugee voices expressed in and beyond them, in contexts surrounding their creation. Furthermore, it analyses the forms of refugee voices expressed in such creative projects, which encompass fiction, photography, video, audio, and/or drawing—in linear, as well as ‘messy’ and ‘interrupted’ ways—and assesses how promises of offering a voice might claim to have been fulfilled in such cases.
The volume will be of great interest to scholars and researchers of migration and refugee studies, media and culture studies, performance studies and communication studies.