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Revisiting The Music Of Medieval France From Gallican Chant To Dufay 1st Edition Manuel Pedro Ferreira

  • SKU: BELL-50821654
Revisiting The Music Of Medieval France From Gallican Chant To Dufay 1st Edition Manuel Pedro Ferreira
$ 31.00 $ 45.00 (-31%)

4.7

36 reviews

Revisiting The Music Of Medieval France From Gallican Chant To Dufay 1st Edition Manuel Pedro Ferreira instant download after payment.

Publisher: Routledge
File Extension: PDF
File size: 13.99 MB
Pages: 304
Author: Manuel Pedro Ferreira
ISBN: 9781409436812, 1409436810
Language: English
Year: 2012
Edition: 1

Product desciption

Revisiting The Music Of Medieval France From Gallican Chant To Dufay 1st Edition Manuel Pedro Ferreira by Manuel Pedro Ferreira 9781409436812, 1409436810 instant download after payment.

This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.

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