Rocket To The Morgue 1942 Anthony Boucher by Anthony Boucher instant download after payment.

https://en.wikipedia.org/wiki/Rocket_to_the_Morgue
Portrayal of science fiction culture in the Golden Age
Boucher was the friend and mentor of many science fiction writers of that era, and a member of the Mañana Literary Society. The dedication to the first edition reads, "For The Mañana Literary Society and in particular for Robert Heinlein and Cleve Cartmill." Rocket to the Morgue is something of a roman à clef about the Southern California science fiction scene of the time. Many characters are thinly-veiled versions of personalities such as Robert A. Heinlein ("Austin Carter"), L. Ron Hubbard ("D. Vance Wimpole"), then-literary agent Julius Schwartz ("M. Halstead Phynn") and rocket scientist/occultist/fan Jack Parsons ("Hugo Chantrelle");or recognizable composites of two writers ("Matt Duncan" – Cleve Cartmill and Henry Kuttner; "Joe Henderson" – Jack Williamson and Edmond Hamilton). Some writers' actual pseudonyms appear as minor characters, most prominently "Don Stuart, editor of Surprising" (John W. Campbell, editor of Astounding Science Fiction); but also "Anson Macdonald" and "Lyle Monroe" (both Heinlein pseudonyms), and Boucher himself (under his real name of William Anthony Parker White). The science fiction culture is portrayed in a familiar manner, complete with references to Denvention, the 1941 World Science Fiction Convention in Denver, and the appearance of a quintessential science fiction fan, one Arthur Waring, member of a science fiction society and publisher of a science fiction fanzine, whose sophisticated language and scientific knowledge displayed in a fan letter have impressed Detective Marshall, but who when interviewed turns out to be a pre-adolescent: "[a]n infant with pink and downy cheeks".