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Scotland and the Borders of Romanticism 1st Edition by Leith Davis, Ian Duncan, Janet Sorensen ISBN 9780511447303

  • SKU: BELL-2020302
Scotland and the Borders of Romanticism 1st Edition by Leith Davis, Ian Duncan, Janet Sorensen ISBN 9780511447303
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Scotland and the Borders of Romanticism 1st Edition by Leith Davis, Ian Duncan, Janet Sorensen ISBN 9780511447303 instant download after payment.

Publisher: Cambridge University Press
File Extension: PDF
File size: 1.66 MB
Pages: 260
Author: Leith Davis, Ian Duncan, Janet Sorensen
ISBN: 9780511216572, 9780521832830, 0511216572, 0521832837
Language: English
Year: 2004

Product desciption

Scotland and the Borders of Romanticism 1st Edition by Leith Davis, Ian Duncan, Janet Sorensen ISBN 9780511447303 by Leith Davis, Ian Duncan, Janet Sorensen 9780511216572, 9780521832830, 0511216572, 0521832837 instant download after payment.

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ISBN 13: 9780511447303
Author: Leith Davis, Ian Duncan, Janet Sorensen

Originally published in 2004, Scotland and the Borders of Romanticism is a collection of critical essays devoted to Scottish writing between 1745 and 1830 - a key period marking the contested divide between Scottish Enlightenment and Romanticism in British literary history. Essays in the volume, by leading scholars from Scotland, England, Canada and the USA, address a range of major figures and topics, among them Hume and the Romantic imagination, Burns's poetry, the Scottish song and ballad revivals, gender and national tradition, the prose fiction of Walter Scott and James Hogg, the national theatre of Joanna Baillie, the Romantic varieties of historicism and antiquarianism, Romantic Orientalism, and Scotland as a site of English cultural fantasies. The essays undertake a collective rethinking of the national and period categories that have structured British literary history, by examining the relations between the concepts of Enlightenment and Romanticism as well as between Scottish and English writing.

Scotland and the Borders of Romanticism 1st Table of contents:

Part I: Forging the Romantic Landscape

  1. The Picturesque and the Sublime: Shaping Scottish Aesthetics:
    • Early Tourists and Travelers: Their gaze upon the Scottish landscape
    • The Influence of Burke and Gilpin on Scottish perceptions
    • Artistic Representations: Painters of the Scottish sublime (e.g., Alexander Nasmyth, J.M.W. Turner)
    • The Cultural Construction of Wilderness and Mountain Scenery
  2. Ossian's Echoes: Primitivism, Authenticity, and the Bardic Tradition:
    • James Macpherson and the Ossian Controversy: Forgery or Genius?
    • The International Impact of Ossian: Goethe, Napoleon, and the European imagination
    • The Appeal of the "Noble Savage" and the Highland Chieftain
    • The Search for an "Authentic" Scottish Voice
  3. The Enlightenment's Romantic Undercurrents:
    • Scottish Enlightenment Thinkers and their influence on European Romanticism (e.g., Hume, Smith, Reid)
    • The Concept of Sympathy, Sentiment, and the Moral Sense
    • The Tension between Reason and Emotion in Scottish thought
    • The University of Edinburgh and its intellectual ferment

Part II: Literary Landscapes and Border Narratives

  1. Robert Burns: Bard of the Plough, Poet of Humanity:
    • Burns as a Precursor to Romanticism: Emotion, Nature, and the Common Man
    • His Use of Scottish Vernacular and Folk Tradition
    • Radicalism and Patriotism in his Poetry
    • The International Reception and Influence of Burns
  2. Sir Walter Scott: Architect of National Romance:
    • The Waverley Novels: Inventing the Historical Novel and the National Tale
    • The Influence of the Scottish Borders on his Imagination
    • Scott's Role in Shaping Scottish Identity and Tourism
    • The Spectacle of King George IV's Visit to Edinburgh
  3. The Scottish Gothic and the Dark Side of Romance:
    • Supernatural Elements and Folkloric Horrors
    • The Influence of Presbyterianism and Calvinist Angst
    • James Hogg and The Private Memoirs and Confessions of a Justified Sinner
    • Robert Louis Stevenson and the Jekyll/Hyde archetype: Dualities and the Uncanny
  4. Byron, Keats, and the Scottish Connection:
    • Byron's Scottish Ancestry and its influence on his work
    • The Scottish tours and impressions of English Romantic poets
    • Cross-cultural dialogues and influences in poetry

Part III: Borderlands of Identity and Nation

  1. Jacobite Memory and the Romantic Revival:
    • The Glorification of the Jacobite Cause in Romantic Literature
    • Bonnie Prince Charlie as a Romantic Hero
    • The Ambivalence of Loyalty and Rebellion
    • The Use of Highland Dress and Symbolism
  2. Emigration, Diaspora, and the Romanticized Homeland:
    • The Clearances and the Dislocation of Highland Communities
    • The Romantic Imagination of the Exiled Scot
    • Ballads, Songs, and the Preservation of Memory
    • The Development of a Scottish-Canadian, Scottish-American Identity
  3. Engineering the Nation: Canals, Bridges, and the Romantic Sublime of Industry:
    • The Impact of the Industrial Revolution on the Scottish Landscape and Society
    • Thomas Telford and the Romantic Vision of Engineering
    • The Forth Bridge: A symbol of progress and technological sublime
    • The Tension between Natural Beauty and Human Endeavor
  4. The Musical Borders: Ballads, Folk Music, and Nationalist Opera:
    • The Collection and Revival of Traditional Scottish Ballads
    • Robert Burns's Contribution to Scottish Song
    • The Influence of Folk Music on Classical Composers
    • The Search for a Distinctly Scottish Musical Voice

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Tags: Leith Davis, Ian Duncan, Janet Sorensen, Scotland, Borders

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