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4.3
68 reviewsStepping outside of the platitudes surrounding this iconic figure, Anne A. Cheng argues that Baker's famous nakedness must be understood within larger philosophic & aesthetic debates about, & desire for, 'pure surface' that crystallized at the convergence of modern art, architecture, machinery, & philosophy.
Through Cheng's analysis, Baker emerges as a central artist whose work engages with & impacts various modes of modernist display such as film, photography, art, & even the modern house.
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