logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Seeing By Electricity The Emergence Of Television 18781939 Doron Galili

  • SKU: BELL-12255534
Seeing By Electricity The Emergence Of Television 18781939 Doron Galili
$ 31.00 $ 45.00 (-31%)

4.7

76 reviews

Seeing By Electricity The Emergence Of Television 18781939 Doron Galili instant download after payment.

Publisher: Duke University Press
File Extension: PDF
File size: 3.32 MB
Pages: 264
Author: Doron Galili
ISBN: 9781478007722, 9781478008224, 1478007729, 1478008229
Language: English
Year: 2020

Product desciption

Seeing By Electricity The Emergence Of Television 18781939 Doron Galili by Doron Galili 9781478007722, 9781478008224, 1478007729, 1478008229 instant download after payment.

Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.

Related Products