logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Shakespeare And The Idea Of Late Writing Authorship In The Proximity Of Death 1st Edition Gordon Mcmullan

  • SKU: BELL-1795830
Shakespeare And The Idea Of Late Writing Authorship In The Proximity Of Death 1st Edition Gordon Mcmullan
$ 31.00 $ 45.00 (-31%)

4.4

22 reviews

Shakespeare And The Idea Of Late Writing Authorship In The Proximity Of Death 1st Edition Gordon Mcmullan instant download after payment.

Publisher: Cambridge University Press
File Extension: PDF
File size: 1.58 MB
Pages: 414
Author: Gordon McMullan
ISBN: 9780511371066, 9780521863049, 0511371063, 052186304X
Language: English
Year: 2008
Edition: 1

Product desciption

Shakespeare And The Idea Of Late Writing Authorship In The Proximity Of Death 1st Edition Gordon Mcmullan by Gordon Mcmullan 9780511371066, 9780521863049, 0511371063, 052186304X instant download after payment.

What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

Related Products