logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Shakespeare Jonson And The Claims Of The Performative First Edition James Loxley Mark Robson Amitai Etzioni

  • SKU: BELL-51258928
Shakespeare Jonson And The Claims Of The Performative First Edition James Loxley Mark Robson Amitai Etzioni
$ 31.00 $ 45.00 (-31%)

4.1

70 reviews

Shakespeare Jonson And The Claims Of The Performative First Edition James Loxley Mark Robson Amitai Etzioni instant download after payment.

Publisher: Taylor & Francis Group
File Extension: EPUB
File size: 1.07 MB
Pages: 158
Author: James Loxley; Mark Robson; Amitai Etzioni
ISBN: 9781135929930, 1135929939
Language: English
Year: 2013
Edition: First Edition

Product desciption

Shakespeare Jonson And The Claims Of The Performative First Edition James Loxley Mark Robson Amitai Etzioni by James Loxley; Mark Robson; Amitai Etzioni 9781135929930, 1135929939 instant download after payment.

This book will constitute an original intervention into longstanding but insistently relevant debates around the significance of notions of 'performativity' to the critical analysis of early modern drama. In particular, the book aims to: show how the investigation of performativity can enable readings of Shakespeare and Jonson that challenge the dominant methodological frameworks within which those plays have come to be read; demonstrate that the thought of performativity does not come to rest in the simplicity of method or instrumentality, and that it resists its own claim that language and action might be understood as unproblematically instrumental; demonstrate that this self-resistance occurs or takes place as a moment in the process of articulating the claims of the performative, and that this process is itself in an important sense dramatic.

Related Products