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Shakespeare On European Festival Stages Nicoleta Cinpoe Florence March Paul Prescott Editor

  • SKU: BELL-50218544
Shakespeare On European Festival Stages Nicoleta Cinpoe Florence March Paul Prescott Editor
$ 31.00 $ 45.00 (-31%)

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Shakespeare On European Festival Stages Nicoleta Cinpoe Florence March Paul Prescott Editor instant download after payment.

Publisher: The Arden Shakespeare
File Extension: PDF
File size: 2.4 MB
Author: Nicoleta Cinpoeş; Florence March; Paul Prescott (editor)
ISBN: 9781350140165, 9781350140196, 1350140163, 1350140198
Language: English
Year: 2022

Product desciption

Shakespeare On European Festival Stages Nicoleta Cinpoe Florence March Paul Prescott Editor by Nicoleta Cinpoeş; Florence March; Paul Prescott (editor) 9781350140165, 9781350140196, 1350140163, 1350140198 instant download after payment.

From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages is the first book to chart Shakespeare’s presence at continental European festivals. It examines the role these festivals play in European socio-cultural exchanges, and the impact festivals make on the wider production and circulation of staged Shakespeare across the continent.
This collection offers authoritative, lively and informed accounts of the production of Shakespeare at the following festivals: the Avignon Festival and Le Printemps des comédiens in Montpellier (France), the Almagro festival (Spain), Shakespeare at Four Castles (Czech Republic and Slovakia), the International Shakespeare Festival in Craiova (Romania), the Shakespeare festivals in Elsinore (Denmark), Gdansk (Poland), Gyula (Hungary), Itaka (Serbia), Neuss (Germany), Patalenitsa (Bulgaria), Rome and Verona (Italy).
Shakespeare on European Festival Stages is essential reading for students, scholars and practitioners interested in Shakespeare in performance, in translation and in a post-national Shakespeare that knows no borders and belongs to all of Europe.

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