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ISBN 10: 0631220100
ISBN 13: 9780631220107
Author: Emma Smith
This Guide steers students through the critical writing on Shakespeare’s tragedies from the sixteenth century to the present day.
Part I: Criticism 1590–1904
1. Before Bradley: Criticism 1590–1904
Part II: Twentieth-century Criticism
2. Genre: An Overview
3. Genre: Critical Extracts
– King Lear and Essentialist Humanism – Jonathan Dollimore
– Coriolanus and Interpretations of Politics – Stanley Cavell
4. Character: An Overview
5. Character: Critical Extracts
– The Resources of Characterization in *Othello* – Peter Holland
– The Woman in *Hamlet*: An Interpersonal View – David Leverenz
6. Language: An Overview
7. Language: Critical Extracts
– *Antony and Cleopatra* – Frank Kermode
– Imperfect Speakers – Malcolm Evans
8. Gender and Sexuality: An Overview
9. Gender and Sexuality: Critical Extracts
– The Daughter's Seduction in *Titus Andronicus* – Coppélia Kahn
– Femininity and the Monstrous in *Othello* – Karen Newman
10. History and Politics: An Overview
11. History and Politics: Critical Extracts
– *Macbeth* and the "Name of King" – David Scott Kastan
– “Is This a Holiday?”: Shakespeare's Roman Carnival – Richard Wilson
12. Texts: An Overview
13. Texts: Critical Extracts
– Quarto and Folio *King Lear* – Michael Warren
– Bad Taste and Bad *Hamlet* – Leah Marcus
14. Performance: An Overview
15. Performance: Critical Extracts
– *Titus Andronicus* – Brian Cox
– Baz Luhrmann’s Millennial Shakespeare – James N. Loeblin
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Tags: Emma Smith, Shakespeare, Tragedies, Guide, Criticism